One of the greatest gifts I have been able to afford myself is that of music. While many who know me would think I am referring to my experience in learning piano, I allude to not only that, but also several other valuable experiences and learning in which I participated. In particular, three years in a junior high school band, playing the baritone, oboe, and bassoon, as well as a year in a community orchestra as a bassoonist. I even played in the orchestra pit for my high school's production of "Oliver!" Certainly, my years of piano represent the greatest of all my achievements in music, and I have now been able to carry that on to teaching children, and playing for myself as a pastime. Not to be forgotten are some courses in music history that I undertook by correspondence. These, while offering little in terms of practical music knowledge per se, did provide a valuable learning experience by opening me up to the origins of music, its historical development, and the people who pioneered it. So, putting all of these experiences together, it is no wonder that music has a very important and special place in my life, and will remain so.
As a young boy, my parents exposed me to a variety of cultural and music events: the symphony orchestra, the ballet, musicals, for example. One experience, however, was particularly memorable. I was perhaps 10 years old. A young women's choir from Estonia was travelling through my area and doing performances. As a way of mitigating its costs, the choir was billeting with families along the way. My family offered to take in two of these girls. An interesting backdrop to this experience was that, at the time, Estonia was still a Soviet satellite, and I recall the girls telling us how there was someone from "the Party" who was accompanying them. Not that this had a whole lot to do with the music itself, but interesting to think about nonetheless.
The concert for me was a first in hearing choral singing. I wish I could say I remember more of it; what they sung, and how it sounded. Alas, I was just 10 years old, and probably more focused on trying to spot our billets among all the other young women. But I did take away something from the music. I remember being impressed, and wishing I could do something like that.
Fast-forward 23 years. I was sitting at home one day recently watching t.v. when a program came on in which there was choral singing, and I found myself humming along and wishing once again I could be a part of a group like that. I started poking around on the internet and uncovered a panoply of choirs in Ottawa, for all kinds of different age groups and singing styles. At first I was hesitant to pursue this further, because I have no formal training in voice, and was not looking to embarrass myself in an audition. But I came across a choir in my area,
"Coro Vivo", and I figured I would just put out a feeler, and see where it led. A woman from Coro Vivo invited me to come see the choir's upcoming Christmas concert, and find her afterwards to chat. I took her up on the invitation, and was duly impressed. Her enthusiasm in my interest left me with no choice but to audition, which, in the end, was little more than "la la-ing" with the choir director. He gave me full assurance I would fit right in, and asked me to join immediately.
I've been to five rehearsals now, and I can honestly say that there is nothing like it. I am one of about 65 voices, singing four-part harmony. The choir director, a young Cuban in his 20s is engaging and positive, and is teaching all of us a great deal. Having a Hispanic background, he has us signing two pieces by José Ángel Lamas, a Venezuelan composer from the early 19th century. But by far the most challenging and inspring piece of music we are learning is Vivaldi's Gloria. Antonio Vivaldi, an 18th century Venetian composer, is probably best known for his "Four Seasons", but he was also a priest, and many of his works are very religiously based, such as the Gloria. I am by no means a religious person, but this music transcends religion with all its musical intricacies and inherent beauty. It is an incredible challenge to sing, which makes it all that much more worth working towards. Our performance is May 1, and I know it is going to be spectacular. And this time, I will not be sitting in the audience, taking in the experience. Rather, I will be one of the people sharing in its delivery, and perhaps touching some other young child out there, like I was at the age of 10.